All Showcases Located in the Dance Tent.
Generations Showcase: Emily & Martha Spencer of the Whitetop Mountain Band, Friday 7pm
The Whitetop Mountain band originated with Albert Hash in the 1940s, a well-known and beloved fiddler and luthier. When he was a teenager, Albert played fiddle with Henry Whitter of “Grayson & Whitter” who recorded in the 1920’s. Albert had a tremendous impact on the old time and bluegrass scene: the tune, “Hangman’s Reel,” that Albert recorded is the version played by many old time musicians today. He also taught luthiers such as Wayne Henderson and Audrey Ham.
In the 1970s, Albert’s brother-in-law, Thornton Spencer (twin fiddle), and his wife, Emily Spencer (banjo, vocals), joined Albert in the band. Today, decades later, the Whitetop Mountain Band is still going strong with Emily Spencer on banjo and vocals, and their daughter, Martha Spencer, on various instruments.
We are honored to present Emily and Martha in this unique offering: our first-ever “Generations Showcase,” as they share their songs and histories growing up in a musical family.
Fiddle Players Showcase, Saturday, Time TBD
Tatiana Hargraeves, Betty Vornbrock & More TBA
Over the past nine years, Tatiana Hargreaves has been on the forefront of an up and coming generation of old-time, bluegrass and new acoustic musicians. Since releasing her first solo album “Started Out To Ramble” in 2009, Tatiana has toured with musicians such as Dave Rawlings, Gillian Welch, Laurie Lewis, Darol Anger and Bruce Molsky. From being the second woman to place first at the Clifftop Appalachian Fiddle Contest, to her bluegrass fiddling on Laurie Lewis’ GRAMMY-nominated album The Hazel And Alice Sessions, Hargreaves shows a musical fluency that flows between old-time and bluegrass worlds with ease.
After touring as a member of Laurie Lewis & the Right Hands and finishing her degree at Hampshire College, Tatiana now makes her home in Durham, where she is spending time with Alice Gerrard and helping with the documentary in-progress, “You Gave Me A Song: The Life and Music of Alice Gerrard.” Tatiana’s most recent project is a self-titled album with clawhammer banjo innovator, Allison de Groot . Tatiana also teaches and performs locally and hosts the monthly PineCone youth bluegrass jam in Raleigh.
Betty Vornbrock is an accomplished fiddler in several traditional styles. Her first love is that of the Appalachian Mountains; she has focused on the tunes of West Virginia, Kentucky, and the Blue Ridge since the late 1970s. Influences include WV fiddlers Wilson Douglas, Melvin Wine, Sarah Singleton, and Burl and Edn Hammons; KY fiddlers JP Fraley, Ed Haley, Clyde Davenport and Snake Chapman; and the Blue Ridge’s, Ralph Blizard, Tommy Jarrell, Emmett Lundy and Henry Reed.
Currently a fiddle teacher for private lessons and occasional workshops, she taught and sat on the board of the Galax, VA Junior Appalachian Musicians (JAM) for seven years. She also teaches at music camps in Mars Hill, Cowan Creek, and the Augusta Heritage Workshops. In 2018 she was a featured fiddle master at the Festival Of American Fiddle Tunes, in Port Townsend, WA.
Betty and her band, the Reed Island Rounders, hit the festival circuit each summer, and have taken honors at Galax, Mount Airy, Clifftop, Glenville and Fiddler’s Grove to name a few. Most recently, she placed first in the senior fiddle division at Clifftop 2018.
Banjo Players Showcase, Saturday, Time TBD
Featuring Richie Stearns, Hilary Dirlam & Martha Spencer
RICHIE STEARNS first discovered the pleasures of the old-time banjo when
he was 14. He’s traveled around the world, performing both traditional and his own original music, finding ways to collaborate with musicians from five continents as well as local musicians from diverse musical backgrounds including classical, jazz, R&B, country and more. Over the past three decades, he’s written original music for film scores and dance ensembles as well his own bands (The Horse Flies, Evil City String Band, Ti Ti Chickapea and the Renegades, among them) and collaborated with artists from a variety of disciplines to present public performances on stages throughout the U.S., Canada, and Europe, as well as making radio and television appearances.
The list of musicians Richie has recorded, toured, and performed with is long and diverse. Among them: Natalie Merchant, jazz guitarist Bill Frisell, Malian bluesman Vieux Farka Toure, North Indian Gypsy band Musafir, Tibetan singer Yungchen Llamo, pop legend Linda Ronstadt, country and bluegrass musicians (including Peter Rowan, Vassar Clements, Tony Trischka, and Jim Lauderdale), Cajun groups (Michael Doucet & Beausoleil, Redstick Ramblers), Celtic bands (De Dannan, John Doyle of Solas) and Australia’s Kasey Chambers as well as Samite of Uganda and South African Afro-pop star Johnny Clegg.
Along with being the Program Director of Blue Ridge Old-Time Music Week at Mars Hill University for the past 27 years and the Co-Founder of The Old-Time Herald with Alice Gerrard, Brad Leftwich and Linda Higenbotham, Hilary Dirlam is an outstanding banjo player.
She recently completed a month long tour of Australia with her present band, the Orpheus Supertones, and has performed and recorded with NC Heritage Award winners Luke and Harold Smathers and Carroll Best. Several of Hilary’s original tune and songs have been recorded by other traditional artists. She recently completed a recording project combing banjo with traditional Nepali instruments, including Sarangi Master Parashuram Bhandari and Tabla Master Achyut Ram Bhandari. She has recorded over ten albums of traditional Tibetan vocal music, which are internationally available.
Martha Spencer is a singer-songwriter, mountain musician and dancer from the Blue Ridge Mountains of Virginia. She grew up in the musical Spencer family, learning to play banjo, fiddle, guitar, bass, dulcimer, mandolin and to flatfoot/clog at a young age. She performs and has recorded with various groups, including a duo with Frank Rische, The Whitetop Mountain Band, Old Time Country Roadshow and Spencer Branch, and is in involved with several roots music projects including her local chapter of Junior Appalachian Musicians. She has played shows, festivals and led workshops across the United States, Australia, UK and Europe. Martha released her self-titled solo album this past October to rave reviews from Rolling Stone Country, Cowboys & Indians Magazine, Americana Highways, and PopMatters, to name a few. In Friday’s Generations Showcase, her mother, Emily showcases her banjo talents, and Martha shows off her own playing style in Saturday’s Banjo Players Showcase.
Singers Showcase, Saturday, Time TBD
Featuring Sheila Kay Adams, Tim Wells, and Introducing Eliza Meyer
Sheila Kay Adams
Born and raised in the Sodom Laurel community of Madison County, North Carolina, Sheila Kay Adams is a seventh-generation ballad singer, storyteller, and claw-hammer banjo player. Originating in the border country between England and Scotland, the ballads that she sings have been passed down through her family since the early 1700s, when Adams’ ancestors first settled in Appalachia. Learning how to sing as a child from her great-aunt, Adams has developed an illustrious resume showcasing, documenting, and advocating for Western North Carolina’s unaccompanied ballad singing tradition. She has performed at festivals, workshops, and other events all across the US and the UK, including the Smithsonian Folklife Festival and the International Storytelling Festival. Her songs and stories have been recorded for several albums: My Dearest Dear (2000), Other Fine Things (2004), and Live at the International Storytelling Festival (2007). Her two books, Come Go Home With Me (1997) and My Old True Love (2004), have garnered praise from Life Magazine, The Atlanta Journal-Constitution, and other outlets.
A recipient of a National Endowment for the Arts National Heritage Fellowship (2013), NC Heritage Award (2015), and this year’s South Arts Traditional Arts Master Artist Fellowship, Adams has complemented international acclaim with deep, local commitment to her community. She continues to mentor the new generation of unaccompanied ballad singers on the history and technique of the tradition.
Eliza Meyer is new to the scene, but has been told she has an “old soul,” singing and playing traditional string band, old-time and classic country music reminiscent of Hazel and Alice, The Carter Family, and Tommy Jarrell. Influenced by traditional ballads of Madison County and the Round Peak style of Surry County, Eliza plays fiddle, banjo, guitar and autoharp.
Eliza has taken classes with Sheila Kay Adams, Eddie Bond, Dewey Brown, Cathy Fink, Alice Gerrard, Sam Gleaves, Ginny Hawker, Kay Justice, Marcy Marxer, and Erynn Marshall. She currently plays house concerts locally and has sang on the IBMA JAM Stage, at Merlefest, the North Carolina Museum of History and the Earl Scruggs Center. Eliza is a native of Raleigh, NC and attends Broughton High School, where she is in the sophomore class.